My guitars owe their inspiration to the instruments of Antonio de Torres, Santos Hernandez and Hermann Hauser I. By combining design elements from these great makers with my own ideas I produce instruments which are traditional in style, lightly built and very responsive. I am aiming for a sound which is full bodied, yet clear and focused across the whole musical spectrum.

I use a fan strutted system derived from Torres which I believe contributes to more efficient sound radiation (projection) and helps give an instrument character, widening its range of available colour. In the construction process I am constantly checking the plate resonances before and after assembly so that in the completed instrument all the components work together as a whole. I try to aim for a body frequency of around F which seems to result in guitars with a strong fundamental quality to the notes and the robustness of sound which I particularly like.

Volume is a necessary attribute of a concert guitar, but I do not pursue it at the expense of musicality. It is my opinion that large guitars do not necessarily produce a larger sound, and I am often intrigued by the power and musical presence of relatively small bodied instruments.

Players often comment that my guitars are very easy to play. How I design and construct my guitars assures just the right combination of string tension and plate elasticity. This in turn contributes largely to this ease of playability. I also pay particular attention to the feel of the neck and take care to ensure that the fingerboard is correctly adjusted and the frets are well polished.

My background as a visual artist, combined with good woodworking skills, has allowed me to focus a lot on details of design and decoration. This has enabled me to craft guitars known for their high level of musical and visual refinement. I have always believed that quality comes before quantity, and this is evident in the fact that my output is around ten guitars per year, usually working on one or two at a time.

I find building guitars to be very satisfying. It is indeed a privilege in this age of fast fixes to be able to individually handcraft a classical guitar of the highest quality which I hope will give enduring pleasure to players and audiences alike.